Rather the final portion of the poem is a series of statements in the indicative depicting the gods’ favor toward Rome. Horace's Carmen Saeculare: Ritual Magic and the Poet's Art | Michael C. J. Putnam | download | B–OK. Such is the magic of poetry, and, as Putnam notes, such too is the primary claim to fame of the Carmen Saeculare. Find great deals for Horace's Carmen Saeculare : Ritual Magic and the Poet's Art. The final chapter examines the concept of carmen in Latin literature. Of particular interest is Putnam’s reading of the way Horace in lines 25-28 and again in 56-60 alludes to Virgil’s fourth eclogue. This is perhaps the greatest lesson of Putnam’s finely wrought book. Electronic books. Modern readers of the Carmen have tended to dismiss it because we know that it was commissioned by Augustus to celebrate the Ludi Saeculares and hence to glorify the principate. The poem is the first fully preserved Latin hymn whose circumstances of presentation are known, and it is the only lyric of Horace we can be certain was first presented orally. Chapter 3 is the book’s centerpiece. [(Horace's Carmen Saeculare: Ritual Magic and the Poets Art)] [Author: Michael C. J. Putnam] published on (September, 2011): Michael C. J. Putnam: Books - Amazon.ca List Price: $30.00; $1.99 + $27.99 shipping Only 1 left in stock - order soon. Enter your search keyword ... s Carmen Saeculare : Ritual Magic and the Poet's Art. Share
horace's carmen saeculare'': ritual magic and the poet's art
Data from Horace's Carmen saeculare : ritual magic and the poet's art, Michael C.J. Chapter 6 looks at the numerous and complex intertextual echoes between the Carmen and previous Latin poetry, paying special attention to Catullus, Vergil, and Tibullus. $1.99. Buy Horace's "Carmen Saeculare": Ritual Magic and the Poets Art by Putnam, Michael C. J. Chapter 2 examines Horace’s work in Books 1-3 of the Odes to establish both the poetic context of the Carmen and its specific difference from the lyric form as Horace first conceived it. Fast and free shipping free … Horace's "Carmen Saeculare" (Paperback) Ritual Magic and the Poet`s Art. Varro talks of “seven mountains embraced by a wall”; Virgil in the Georgics writes of “seven citadels surrounded by a wall”; and Ovid later speaks of “seven hills” that became “massive walls.” Horace’s choice of colles, however, “not only moderates the imposing eminences that the word montes suggests but deliberately lacks the militaristic implications that the ‘hills’ receive in Varro and Virgil and which they are actually made by mutation to adopt at Ovid’s hands” (56-58). His line by line attention to detail brings out every nuance in the poem and yields many unexpected riches from a poem that has often seemed a drab affair. Putnam, "This is the first book devoted to Horace's Carmen Saeculare, a poem commissioned by Roman emperor Augustus in 17 B.C.E. In Putnam’s terms, “the ode looks essentially at Horace’s inner life and at how it is of value to those who rule the state, should they be percipient enough to fall under its spell” (38). New Condition: Brand New Soft cover. Nonetheless, where Catullus’ song of the Fates predicts the birth of Achilles from the marriage of Peleus and Thetis, as well as the death and destruction that birth would cause, and where even Virgil’s announcement of a new Golden Age acknowledges that he will also see a new Argo, a new Achilles and new wars, Horace rewrites his predecessors in an optimistic major key. The poem concludes with an affirmation not of Augustus’ power but of that of the poet himself: Haec Iovem sentire deosque cunctos spem bonam certamque domum reporto, doctus et Phoebi chorus et Dianae dicere laudes. Putnam pursues his defense of the Carmen Saeculare in a systematic fashion. This is the first book devoted to Horace’s Carmen Saeculare, a poem commissioned by Roman emperor Augustus in 17 B.C.E. Putnam offers a close and sensitive reading of this hymn shedding new light on the richness and virtuosity of its poetry, on the many sources Horace drew on, and on the poem's power and significance as a public ritual." Horace’s diction clearly recognizes the Catullan undercurrents in his Virgilian subtext. Stanford Libraries' official online search tool for books, media, journals, databases, government documents and more. Hence, poems such as Odes 1.21 instruct a chorus on what to say, but the Carmen presents the speech act itself. Putnam justly observes the limitations of such views and argues instead that “the quality of the Carmen itself is evidence enough to disprove [them]” (4). Horace thus produces a revisionist literary history that can in no way be separated from the political but is no less impressive for its subtlety, sophistication, and tact. The close reading of the Carmen Saeculare undertaken in this chapter demonstrates why Putnam is one of the masters of this genre of criticism. Words in title. Get this from a library! --Jacket, Horace's Carmen saeculare : ritual magic and the poet's art, Augustus, Emperor of Rome, 63 B.C.-14 A.D, Augustus, Emperor of Rome, 63 B.C.-14 A.D. -- Art patronage, Political poetry, Latin -- History and criticism, Includes bibliographical references (pages 175-177) and index, http://library.link/vocab/ext/overdrive/overdriveId. Of course, the very possibility of that age and of the poet’s evocation of it also necessarily assumes the priority of the political, of the object of representation. ... Horace's "Carmen Saeculare": Ritual Magic and the Poets Art Michael C. J. Putnam. Putnam. Yet, here the valences have been reversed. Vis consili expers mole ruit sua [“strength devoid of counsel falls of its own weight”] (3.4.65). for choral performance at the Ludi Saeculares, the Secular Games. $8.58 Free Shipping. New Haven : Yale University Press, c2000. Everyday low … The hymn thus portrays itself as already effective in bringing about the blessings of the gods it seeks in the first half. Publication Date: February 1, 2001. [Michael C J Putnam] -- "This is the first book devoted to Horace's Carmen Saeculare, a poem commissioned by Roman emperor Augustus in 17 B.C.E. It brought to pass that which it spoke. Horace`s "Carmen Saeculare": Ritual Magic and the Poet`s Art: Ritual Magic and the Poet's Art eBook: Putnam, Michael C. J.: Amazon.com.au: Kindle Store Putnam. Horace’s point in juxtaposing these two seemingly opposed images of poet and princeps is to underline the value of poetic reflection even in the realm of political and military struggle. Putnam observes that Horace is the first recorded author to have spoken of the seven “hills” of Rome. Here the poet is shielded from harm and has the power to confer that invulnerability on Caesar and his minister, whereas in the extrapoetic universe it is just the opposite. It was consciously and deliberately intended for two parallel modes of reception. Horace's "Carmen Saeculare": Ritual Magic and the Poets Art. Find many great new & used options and get the best deals for Horace's Carmen Saeculare : Ritual Magic and the Poet`s Art by Michael C. J. Putnam (2001, Trade Paperback) at the best online prices at eBay! The passages from the fourth eclogue in turn allude to the song of the Fates in Catullus 64. Horace bids Augustus and Maecenas to enter the kingdom of the muses. Chapter 6 unravels the deep intertextual weave that ties the Carmen to the Latin poetic tradition as a whole. It enacts its own fulfillment. 101 N. Merion Ave., It has been read as a genuine expression of the poet’s support for the new regime, a piece of necessary hackwork imposed on the poet by his all-powerful protector, or a blatant and lamentable example of toadying, but in no case has it been read as a powerful work of art in its own right.
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